没有和解简介
1965年导演让-马里·斯特劳布,达尼埃尔·于伊耶携手“”等主创团队发布了《没有和解》的首映会，与此同时在其它上映了没有和解的其它版高清视频！
表示：“没有和解是一部精彩绝伦的剧情片电影，从一开邀请海因里希·伯尔,达尼埃尔·于伊耶,让-马里·斯特劳布等演员加盟我就隐约觉得这必将是一部佳作！”
当然没有和解的成功离不开“迅雷影院”的后期剪辑团队26972个多小时的匠心打磨，接下来我们来看看这部剧情类的剧情片详细剧情吧！
剧情及故事背景
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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