• 造物的奇迹图片
    • 造物的奇迹

    • 主演:汉斯·沃特·科恩布鲁姆,Ernst Krieger
    • 状态:HD中字
    • 导演:Hanns,Walter,Kornblum
    • 类型:科幻,纪录片
    • 简介:Wunder der Schöpfung is an extraordinary, fascinat...

    造物的奇迹简介

    1925年导演Hanns,Walter,Kornblum携手“”等主创团队发布了《造物的奇迹》的首映会,与此同时在其它上映了造物的奇迹的其它版高清视频! 表示:“造物的奇迹是一部精彩绝伦的科幻片电影,从一开邀请汉斯·沃特·科恩布鲁姆,Ernst Krieger等演员加盟我就隐约觉得这必将是一部佳作!”

    当然造物的奇迹的成功离不开“迅雷影院”的后期剪辑团队13791个多小时的匠心打磨,接下来我们来看看这部科幻,纪录片类的科幻片详细剧情吧!

    剧情及故事背景

    Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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